So here is a piece I have named "I Dwell in Possibility":
I also got the opportunity to try out a new technique. (Does this make me an opportunist?--an equally annoying type these days.) I had experimented with dyeing some cheese cloth and I loved how it soaked up the color and this seemed an ideal piece to use it on. I wanted to attach it to the background so that it would maintain its freeform shape and texture and felt that fusing it would reduce this effect. So I handstitched the cheescloth to the top layer with a fine matching thread making sure the stitches were invisible but the shapes were securely attached.
I do admit that any abstract piece could potentially fit this series since abstraction by its very nature, a nature I have grown to love, opens itself to many interpretations. And while I was nearing the finishing of this piece I came across a review of an abstract art show at FiveMyles in Brooklyn by Alexis Clements, who says all this much more eloquently than I have done: "The paring down, the removal of a prescriptive dogma or interpretation, allows the viewer to explore on their own. It is a highly personal experience. . . . And at a time when haranguing proclamations and categorical insistence seem to be everywhere, stepping however briefly into a space of not knowing, into an acknowledgment of uncertainty or at least curious exploration, feels like a cool drink of water."
I may have explained away this piece--which is just 16 x 21 inches. Perhaps you should just ignore my strident rhetoric and make of it what you will--something a viewer of abstract art does as a matter of course. Anyway, thanks for the company!