Connections

My mother would never have described herself as a quilter--or a textile artist, for that matter, but she did make a yo-yo quilt that she began in the early 1940s. As I was packing and cleaning today, I came upon her quilt and decided it was a good day to air it and then refold it.

Happy Mother's Day!

Metamorphosis

Among the packing for our move, the cleaning for possible buyers, and the decision making, I have made time for fabric--and the proof is in the local challenge piece I finished--well, the facing is not sewn down yet, but you won't notice that. The theme this time was "creatures," and I finally settled on one of my favorite subjects--butterflies.  But, for a long time, a subcategory of butterflies has fascinated me: caterpillars. I have always loved the little surprise of finding a brightly colored and intriguingly patterned little critter crawling up a stem or leaf and, while some are clearly pests and wear out their welcome very fast, it is worth sharing some parsley, dill, tomato or milkweed leaves with others. So I have been photographing them for a while and wondering how I could abstract them into a quilt.

When the challenge came up, I decided that this was the time to give it a first try. I had also been wanting to revisit using photos in a quilt. I decided on a Black Swallowtail Caterpillar, described as "charismatic" by one photographer, here shown chomping away on my dill.

For the background, I took several photos of some parsley, another favorite of this little guy. In manipulating these in Photoshop, I liked what happened when I applied "Colored Pencil" to the original, but the idea of movement, change, narration in the piece began to grow in my mind's eye so I decided to combine the original with the manipulated version and then place references to the caterpillar between panels of parsley. I printed the photos on EQ Printables Cotton Satin, took a deep breath and began to cut. And here is what I came up with:

I was going to create the yellow dots with a resist but one try convinced me that this was not the time to work on discovering how to get a pure solid black so I opted for commercial black with the yellow octagons fused on.

For obvious reasons, I named this "Metamorphosis"--a big name for a piece that measures only 9 x 14 inches. But it also honors the transition I am going through.  Time will only tell whether I turn out to be a butterfly or a beetle but whatever the outcome it certainly is an adventure.

And if you are still with me, thanks for the company!

I am linking this post with Nina-Marie's blog.